

Emilija Škarnulytė (b. 1987) is a Lithuanian-born artist and filmmaker. Working between documentary and imaginary realms, Škarnulytė makes films, installations, sculptures, drawings, and immersive time-based media that explore the entanglement of the human, the ecological, and the cosmic. Her work inhabits deep time, spanning geological epochs, submarine architectures, and post-anthropocentric futures to examine human and non-human histories. In her videos, viewers often encounter extreme or inaccessible environments: decommissioned nuclear power plants, deep-sea data storage, abandoned and forgotten underwater cities, endless desert landscapes, and uncanny natural phenomena. Inhabiting a future archeologist‘s perspective, the artist suggests that the worlds we imagine to be science fiction or fantasy are already to be found on our own planet. By combining poetic and analytic visual languages, Škarnulytė examines how infrastructures of power—military, ecological, and mythological—extend into unseen and unknowable territories of oceanic abyss, cosmic matter, and memory.
Škarnulytė has presented her work in major solo exhibitions, including at Tate St Ives (UK), Kunsthaus Graz (AT), Kunsthall Trondheim (NO), and Canal Projects (US). She has exhibited in numerous international group exhibitions, including at MoMA PS1 (US), Louisiana Museum of Modern Art (DK), Mori Art Museum (JP), and Kiasma (FI), and has participated in the Gwangju Biennale (KR), Helsinki Biennale (FI), Vilnius Biennale (LT), and the Henie Onstad Triennial for Photography and New Media (NO). She represented Lithuania at the XXII Triennale di Milano (IT) and in the Baltic Pavilion at the 2018 Venice Architecture Biennale. She is the recipient of the 2019 Future Generation Art Prize and the 2023 Ars Fennica Award.
Škarnulytė studied sculpture at the Brera Academy of Fine Arts in Milan (IT) and holds an MA from the Tromsø Academy of Contemporary Art (NO). She founded and currently co-directs Polar Film Lab, a collective for analogue film practice located in Tromsø (NO) and is a member of the artist duo New Mineral Collective, together with Tanya Busse.


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Radvila Palace Museum of Art, Vilnius, Lithuania
2022 02 10 – 2024 02 10
Emilija Škarnulytė’s solo exhibition Chambers of Radiance is centred on one of the artist’s most famous works, t ½, which won the 2019 Future Generation Art Prize of the Kyiv Centre for Contemporary Art. Exploring posthumanist mythology, the impressively large audiovisual installation draws attention to issues of the nature-human interface, climate change and nuclear energy – topics that are particularly relevant today.
The work t ½ is a fictional visual meditation on contemporary science from an archaeological future perspective. Reflecting on Škarnulytė’s work, cultural researcher Alison Sperling asks: “What would an alien archaeologist tell about our history if confronted with the atomic and technological ruins of the 21st century?” The exhibition invites us to experience the world through the futuristic lens of such an alien archaeologist. Part of the piece was shot in Lithuania, at the decommissioned Ignalina Nuclear Power Plant, and part in the canals of nuclear submarines in the Arctic Circle. The video also captures the Super-Kamiokande neutrino observatory in Japan and the particle accelerator at CERN in Switzerland. The installation is complemented by two works, Future Fossil I and Future Fossil II, featuring computer-graphic images of the over-the-horizon radar Duga and the neutrino observatory Super-Kamiokande.
